Can you believe that there are only six Sundays left in all of 2016 and that is not including today. With that being said, there is only six more Sundays at the classics left and we have a good one for you today. The film that we chose for today features two actors that I respect immensely as Yul Brynner (The Ten Commandments) and Marlon Brando (A Streetcar Named Desire) star in the 1965 World War II film Morituri. Robert Crain (Brando) is a deserter of the Nazi party living peacefully in India being a pacifist. After a visit from a British intelligence agent, he is blackmailed into doing a mission for the allies during World War II. His mission is to disrupt a shipment of rubber that is leaving Japan, but he has to deal with a tough as nails Captain Mueller (Brynner) and the fact that this is a mission he might not come back from. The film also stars Janet Margolin (Ghostbusters II) as Esther, Martin Benrath (Stalingrad) as Kruse, Hans Christian Blech (Battle of The Bulge) as Donkeyman, Rainer Penkert (Claudia) as Milkereit, Trevor Howard (Superman) as Colonel Statter, Max Haufler (The Trial) as Branner, Wally Cox (Underdog) as Dr. Ambach, and the film was directed by Bernhard Wicki (Paris, Texas).
This was an excellent film especially if you are a fan of Brynner or Brando and if you are a fan of a great story. Marlon Brando is excellent as a guy who hates war and could care less about who wins, but now has to act like an SS pig. Then you have Yul Brynner, a man with a lot to lose himself which is his reputation, but he also isn’t too fond of an SS officers or the Nazi party. He is sort of a jaded naval captain who just wants to get the job done so he can leave. Then they throw all these other factors at you like political prisoners (like Donkeyman) who want to rise against the system and Esther, a Jewish girl who has so many personal scars along with her physical scars that it torments her. There is a lot to offer in this film to go along with the suspense of the espionage side of the film so if you’re a fan of characters then watch this film. The cinematography in the film is excellent as well as you follow all the tense moments of the film. One of my favorite scenes that really shows what Yul brought to the table in the film was the moment when he lost it in a drunken rage. It was such a powerful scene that gave us our final turning point in the script and story. The film is amazing, I loved it, and it’s available on Netflix right now as we speak. I am going to give the film an A- for a final grade.