There was really no science to how I picked the film for today other than the fact that Encore was playing it and it featured Sally Field (Forrest Gump) and Kiefer Sutherland (The Lost Boys). The name of the film that I chose for today is the crime drama Eye For An Eye. For Karen McCann (Field) everything in life is as normal as can be with a loving and devoted husband (Ed Harris) and some great kids. Her life is torn upside down when repeat felon Robert Doob (Sutherland) rapes and murders her daughter Julie (Olivia Burnette) and he gets away with scot-free by a technicality. To cope with the pain and the fact that he is a free man, she will will resort to taking self defense lessons and gun training to get some vengeance, but can she go through with it. The film also stars Alexandra Kyle (A Time To Kill) as Megan McCann, Joe Mantegna (Baby’s Day Out) as Det. Sgt. Denillo, Beverly D’Angelo (National Lampoon’s Vacation) as Dolly Green, Charlayne Woodard (The Crucible) as Angel Kosinsky, Philip Baker Hall (Bruce Almighty) as Sidney Hughes, Keith David (Men At Work) as Martin, Wanda Acuna (Encino Man) as Hispanic Housewife, and the film was directed by John Schlesinger (Midnight Cowboy).
The MVP of the film, without a shadow of a doubt, was the performance from Kiefer Sutherland who made a career of playing different types of roles. He was so amazing in this film that he had me really believe that he was some twisted whack job that gets off on raping and killing his victims. The only thing that kind of bothered me is that his character seemed real out of place like he belonged more in the south then where ever the heck they were from. Sally Field also does a tremendous job of playing the mother with so much guilt that it plagues her very existence. The film has some very weird moments in it that are just creepy like Kiefer’s character talking to the youngest daughter at her school or when he spies on his victims. I can’t believe that the film is already twenty years old as it came out in January of 1996. The film I believe was advertised as a vigilante film, but it’s really not that. It’s more of a thriller where you left wondering if he’ll catch her, etc. I think that is why the film had such negative reviews back in the day and why it holds an 8% on Rotten Tomatoes. Nevertheless, I really enjoyed the film a lot just because of the two performances and such as I described above. I am going to give the film an B- for a final grade.
I figured since I watched a film that had an Oscar winner in it yesterday, I would do the same for today. The film I chose for today, Midnight Cowboy, won Best Picture, Best Director, and Best Adapted Screenplay in the 1970 Oscars. The film stars Jon Voight (Mission: Impossible) as Texan Joe Buck and Dustin Hoffman (The Graduate) as New Yorker Ratso. For Joe Buck, he has this idea that he’s too big in the hustling game for Texas and so he decides to move to New York to better his hustling game. For Ratso, things can’t get any worse for this New Yorker and he’s had enough of the big city so all he wants to do is move to Florida. Together, the two of them will form a very unlikely bond as they try to survive the streets of New York. The film also stars Sylvia Miles (Wall Street) as Cass, John McGiver (Breakfast At Tiffany’s) as O’Daniel, Brenda Vaccaro (Zorro: The Gay Blade) as Shirley, Jennifer Salt (American Horror Story) as Annie, Barnard Hughes (TRON) as Towny, Viva (The Man Without A Face) as Gretel McAlbertson, and the film was directed by John Schlesinger (The Falcon And The Snowman).
The first thing that should sell you on the film is the fact that Dustin Hoffman and Jon Voight star in the film. The second thing about this film that should sell you is that for 1969, it definitely pushed the boundaries of what was seen on film. Jon Voight has a sexual act performed on him by a man in the film and is the most unluckiest hustler or the worst. Both Voight and Hoffman lost the Oscar for Best Leading Actor to the duke John Wayne even though they deserved it after watching this. Dustin Hoffman has one of the best performances I have seen in a long time and his transformation was Oscar worthy. First of all, he sells that he’s this low down in the dumps New Yorker and he looks like he hasn’t showered in months. What more could you possibly want from the man? We are always led to believe that is what you have to do if you want to win an Oscar. Meanwhile, Jon Voight plays this clean cut cowboy in the big city who is a little naive because he’s not used to the hustle and bustle of the big city. I am not going to give away the ending of the film, but it’s kind of sad and bittersweet. I totally didn’t see it coming, but that is what I loved about it too. The film is gritty and it features a cool segment where they are at a Warhol party. This is classic cinema at it’s best and definitely a film worth watching if you are trying to be a cinephile. I am going to give the film an A for a final grade.