There was really no science to how I picked the film for today other than the fact that Encore was playing it and it featured Sally Field (Forrest Gump) and Kiefer Sutherland (The Lost Boys). The name of the film that I chose for today is the crime drama Eye For An Eye. For Karen McCann (Field) everything in life is as normal as can be with a loving and devoted husband (Ed Harris) and some great kids. Her life is torn upside down when repeat felon Robert Doob (Sutherland) rapes and murders her daughter Julie (Olivia Burnette) and he gets away with scot-free by a technicality. To cope with the pain and the fact that he is a free man, she will will resort to taking self defense lessons and gun training to get some vengeance, but can she go through with it. The film also stars Alexandra Kyle (A Time To Kill) as Megan McCann, Joe Mantegna (Baby’s Day Out) as Det. Sgt. Denillo, Beverly D’Angelo (National Lampoon’s Vacation) as Dolly Green, Charlayne Woodard (The Crucible) as Angel Kosinsky, Philip Baker Hall (Bruce Almighty) as Sidney Hughes, Keith David (Men At Work) as Martin, Wanda Acuna (Encino Man) as Hispanic Housewife, and the film was directed by John Schlesinger (Midnight Cowboy).
The MVP of the film, without a shadow of a doubt, was the performance from Kiefer Sutherland who made a career of playing different types of roles. He was so amazing in this film that he had me really believe that he was some twisted whack job that gets off on raping and killing his victims. The only thing that kind of bothered me is that his character seemed real out of place like he belonged more in the south then where ever the heck they were from. Sally Field also does a tremendous job of playing the mother with so much guilt that it plagues her very existence. The film has some very weird moments in it that are just creepy like Kiefer’s character talking to the youngest daughter at her school or when he spies on his victims. I can’t believe that the film is already twenty years old as it came out in January of 1996. The film I believe was advertised as a vigilante film, but it’s really not that. It’s more of a thriller where you left wondering if he’ll catch her, etc. I think that is why the film had such negative reviews back in the day and why it holds an 8% on Rotten Tomatoes. Nevertheless, I really enjoyed the film a lot just because of the two performances and such as I described above. I am going to give the film an B- for a final grade.
In the 70’s and 80’s, there was no one bigger in the world of stand up and comedy than the legendary Richard Pryor (The Toy). That is why for today’s film I chose to watch a film from late in his career in Critical Condition. Kevin Lennihan (Pryor) is kind of a con man, but more of a Bullsh** artist if you ask me. One day as he was going to ask a mobster for a loan, he is framed alongside the mobster in a jewel smuggling scheme which sends him to jail. After faking that he is insane, he is sent to a psych ward at a hospital for them to evaluate him to tell if he’s insane or not. One night during a major storm, he is mistaken in the hospital for a doctor and he has to BS his way out of it. The film also stars Bob Saget (Full House) as Dr. Joffe, Rachel Ticotin (Total Recall) as Rachel, Rubén Blades (Fear The Walking Dead) as Louis, Joe Mantegna (Baby’s Day Out) as Chambers, Bob Dishy (Don Juan Demarco) as Dr. Foster, Sylvia Miles (Midnight Cowboy) as Nurse Lesser, Randall “Tex” Cobb (The Golden Child) as Box, Joe Dallesandro (Flesh For Frankenstein) as Stucky, and the film was directed by Michael Apted (Enough).
This was definitely an interesting film to say the least, but it’s one that I felt was a little all over the place. At first I thought we were going to get a film that was about him trying to prove that he is insane, but then it turns into a film where he’s trying to get by pretending to be a doctor hoping that no one will catch him. I have to be honest in saying that the best part of the film is when he becomes the doctor because you can kind of see the brilliance that was Richard Pryor come out on screen. There is the awful cast rapping scene, the helicopter scene, and even the scene where he’s is negotiating with the drug addicts that was pretty good. Some of my favorite scenes also took place in the psych ward, but it as scenes without Pryor in them. They really gave Mantegna and Cobb the spotlight during those scenes as Mantegna’s character is trying to negotiate his way out of there. I have to admit as well that Bob Saget really held his own in this film as he has some memorable moments and if you look you’ll notice a young Wesley Snipes as an ambulance driver. Of all the Pryor films that I have seen (which is not a lot) this is definitely not my favorite one. I am not saying that it was a bad film, but it’s probably just one that once was enough for me. I am going to give the film an B-/C+ for a final grade. It’s somewhere between those two.