I can’t believe that out 52 Sundays in year that after today there is only one Sunday left in the whole entire year. So for this week’s Sunday At The Classics, I decided to check out the pool hall classic from Paul Newman (Butch Cassidy And The Sundance Kid) in The Hustler. Fast Eddie Felson (Newman) is one of the best pool hall hustlers around that is looking for that match up that could make him the big money. One match with the best around in Minnesota Fats (Jackie Gleason) sends Eddie into a downward spiral that leaves him broke with no manager. A chance meeting with a girl (Piper Laurie) at the bus station begins to show him that there is more to life then just winning and losing and Eddie then begins his comeback. The film also stars George C. Scott (Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb) as Bert Gordon, Myron McCormick (The Fight For Life) as Charlie, Murray Hamilton (Jaws) as Findley, Michael Constantine (My Big Fat Greek Wedding 2) as Big John, Stefan Gierasch (High Plains Drifter) as Preacher, Jake LaMotta (Raging Bull) as Bartender, Vincent Gardenia (Little Shop Of Horrors) as Bartender, and the film was directed by Robert Rossen (The Roaring Twenties).
There is definitely a reason why this is a must see film and a absolute classic. The sequence in the beginning of the film between Fast Eddie and Minnesota Fats was absolutely amazing and it kept you hooked because you wanted to see who would quit first. The relationship between Piper Laurie’s character Sarah and Fast Eddie was also a fascinating aspect of the film because they were theoretically not made for each other, but then again maybe they were. There’s the old adage that women love the bad boys and maybe she was experiencing that, but she was such a benefit for him more than he was for her. The acting in the film was phenomenal and you have to love the camera work in this film because the shots always looked so full and they painted the various settings just right. You felt like you were in an actual dingy smoke infested pool hall the whole time you were watching. In a way in this film, you were hopeful of Eddie, but he could definitely frustrate you which is why I loved the story of the film. They had all the right conflicts and sub plots to keep you hooked from beginning to end. One of the other things I loved about this film is the very end during the credit sequence when everyone except George C. Scott leaves the pool hall by the end of the credits. You’ll find out why for yourself, but I thought it was poetic justice. I need to check out The Color Of Money (which is the sequel), but give this one a watch while you are it. I am going to give the film an A for a final grade.