Two years ago for Eddie’s 31 Days Of Halloween, I covered the film The Town That Dreaded Sundown which based off of a true story of a killer never found or arrested. So for today’s film, I saw that SYFY was airing the sequel of sorts as part of their 31 Days Of Halloween Marathon. In this version, it has been over 60 years since the original murders and almost 40 years since the film was made. The town of Texarkana now watches the film as some part of a tradition until Jami (Addison Timlin) watches her boyfriend get killed by a man in the mask. Now the murders are starting to occur in almost the same fashion as they did in the film and Jami tries to unlock the truth behind the murders hoping to find out who the killer is. The film also stars Gary Cole (Dodgeball: A True Underdog Story) as Chief Deputy Tillman, Veronica Cartwright (The Birds) as Lillian, Anthony Anderson (The Departed) as Lone Wolf Morales, Travis Tope (Independence Day: Resurgence) as Nick, Joshua Leonard (The Blair Witch Project) as Deputy Foster, Edward Herrmann (The Lost Boys) as Rev Cartwright, Ed Lauter (The Number 23) as Sheriff Underwood, Andy Abele (Looper) as Sackhead, and the film was directed by Alfonso Gomez-Rejon (Me And Earl And The Dying Girl). To see the rest of the review, please click here to go to Moshpits and Movies.
When it came to choosing today’s film, it was one of those whose concept grabbed my attention right when I saw it on Netflix. The film is called Hot Bot and it stars Zack Pearlman (Staten Island Summer) as Leonard and Doug Haley (Hansel & Gretel Get Baked) as Limus, are two best friends who are sexually deprived teenagers and virtually unnoticeable at their school. One day it all changes as the two of them stumble upon a sex robot named Bardot (Cynthia Kirchner) that will change their lives. The only problem is that this very expensive robot belongs to Senator Biter (Larry Miller) and he wants her back. Now the boys will try everything they can to make sure that the Senator doesn’t get his hands on her. The film also stars David Shackelford (There’s Something About Mary) as Benny, Anthony Anderson (Me, Myself, and Irene) as Agent Frazier, Danny Masterson (That 70’s Show) as Agent Koontz, Donald Faison (Clueless) as Mr. Huffington, Angela Kinsey (The Office) as Mrs. Huffington, Kirby Bliss Blanton (The Green Inferno) as Kassidy, John Robinson (Transformers) as Rodney, Chasty Ballesteros (Final Destination 5) as Sophia, and the film was directed by Michael Polish (90 Minutes In Heaven).
I read a quote on IMDB.com that read like this, “If Return of the Living Dead (1985) had been directed by Dan Aykroyd and the premise was a mash-up of One Crazy Summer (1986), Weird Science (1985), and Cherry 2000 (1987) in a world where Superbad (2007) had never been made, that film would be Hot Bot (2016), a surprisingly genuine sex-comedy without any sex.” I couldn’t agree more with the quote as that is exactly how I felt about the film. The film in it’s style reminds me of a lot of those great comedies he listed in his quote and that is what I loved about it. At fist glance jut from reading the name of the film, you may think that this could be a really stupid film, but it’s quite the contrary. It’s actually smart and it just seems very natural. What I mean by that is that the actors and their lines seemed so natural and unforced almost as if they were making it up as they went. Some after viewing this film may complain that besides the one part with the breasts, there really isn’t a whole lot of sex in the film. That is certainly fine by me because the film didn’t really need it. There were a lot of hilarious scenes in this film, but there was one scene that was just downright awkward. Larry Miller visits Limus in his room and it just gets really weird at one point. Larry Miller never really gets enough credit, but he has always played a really good antagonist no matter what the role. There was a study I read about some time ago about how there are humans that love having sex with robots and that the robots almost fully replace the idea of another human in the relationship role. This film doesn’t really talk about it, but it touches upon it a little in the comedic sense. I am going to give the film an B for a final grade.